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| Ronda nocturna |
| Gau-erronda |
| During a long night like any other, full of routine pick-ups and petty dealings, Victor, a street boy barely out of adolescence will come face to face with unexpected growing threats: strangers prowl around waiting for him, an accident is barely avoided, a friend tries to kill him after making love, and finally the madness, the supernatural power, but also the tenderness of a young woman in love from beyond the grave. Before sunrise, Victor will have learned that love, something to which his youth has been blind, can strike back, perhaps even to kill him. An initiation ceremony in nightmare key, the hours of darkness will leave him a little less unsensitive; and at least marked from an early age. |
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| Edgardo Cozarinsky |
| Filmmaker and writer born in Buenos Aires. Having moved permanently to Paris in the 70s, he has commuted between the two cities since 1988. His films include La guerre d’un seul homme (1981), Autoportrait d’un inconnu (1983), Guerreros y cautivas (1989), Citizen Langlois (1994), Le violon de Rothschild (Rosthchild’s Violin, 1996), Fantômes de Tanger (1997), Le cinéma des cahiers (2001) and Dans le rouge du couchant (Red Sunset, 2003). He has also written a number of books, including Vudú urbano (1985), La novia de Odessa (2001), Borges y el cinematógrafo (2002) or El rufián moldavo (2004). |
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| DIRECTOR |
| Edgardo Cozarinsky |
| SCREENPLAY |
| Edgardo Cozarinsky |
| PRODUCTION |
| Marcelo Céspedes, Carmen Guarini Cine Ojo Lavalle 1619, 3º Buenos Aires Tel/Fax 54 11 437 382 08 cin |
| www.cineojo.com.ar |
| PHOTOGRAPHY |
| Javier Miquelez |
| EDITION |
| Martine Bouquin |
| CAST |
| Gonzalo Heredia, Mario Ferro, Moro Anghileri |
| RUNNING TIME |
| 80 m. |
| YEAR |
| 2004 |
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